- Event Time
- Tue.-Fri. 10:00-18:00
- Phone Number
- Event Location
- NO.70, SECTION 1, ZHONGXIAO W. ROAD, Zhongzheng Dist., Taipei City Taiwan, R.O.C
Simile and Metaphor: Chasing Light, Shadows, and Alternative Meanings showcases works that early Taiwanese photographers have been creating using traditional photographic equipment and analog cameras since the 1950s, as well as double refraction images, time-lapse videos, and meticulously-created works using modern aluminum wet plate collodion techniques, rayograph, polarizers, digital cameras, and editing software. Through the composition of light and shadow, these works feature incidents and people with symbols hidden within. The works capture the light of different people and their humanity, cities and spaces, objects, as well as the extended meanings and many metaphors of lines and artificial lighting. The works also depict the shadows of people, culture, the mind, geometry, and a sense of eeriness, as well as subconscious-like, metaphoric shadows. Even in similar lighting arrangements, the atmospheres, photographic approaches, and composition differ between the artists, and every viewer will interpret the symbols and extended meanings within the photographs according to their own life experiences, intellectual foundations, and social and cultural upbringings. The subtle differences in the viewers’ focus and interpretation enrich the narrative and rhetoric of the photographic images.
The Shadow of Metaphor
In rhetoric, metaphor is aimed at paralleling two unrelated things to create transformation in meaning. Usually, the two has different attributes that are difficult to be described. The attributes are paralleled to imply transferring of meanings between things. Photographers capture or plot for lights and shadows to represent figures, humanity, mentality, geometry and oddity, show dreamlike imagery of subconsciousness, and build infectious symbols as shadows of metaphor.