Rona PondickPost date：2024-02-17
Updates：2024-02-17
255
- Event Time
- 2024-05-01Wed. - Sun. 13:00- 18:00
- Event Location
- No.5, Lane 67, Section 1, Jinshan S.Rd, Zhongzheng Dist., Taipei City Taiwan, R.O.C
Rona Pondick was born in Brooklyn, New York in 1952. She studied at Yale University School of Art and received her MFA in 1977. She lives and works in New York City.
Pondick has a long history of incorporating fragments of her own body in sculptures that appear to be in flux as if they are undergoing metamorphosis. In her most recent body of work, the artist makes a world of translucent and opaque color that is radiant and seductive. In these richly metaphorical sculptures, the heads and bodies look like they are floating, suggesting they are dreaming, embryonic, suffocating, drowning as if they are dying-pondering their fate- or giving birth to life.
Since 1984 she has had 52 solo exhibitions of her work in museums and galleries internationally, including Galleria d’Arte Moderna Bologna, Italy; Groninger Museum, Groningen, Netherlands; Rupertinum Museum für moderne und zeitgenössische Kunst, Salbzburg, Austria; Cincinnati Art Museum; Worcester Art Museum, Massachusetts; DeCordova Museum and Sculpture Park, Lincoln, Massachusetts; Cranbrook Art Museum, Bloomfield Hills, Michigan; and the Israel Museum, Jerusalem, among others. Her sculptures have been included in over 220 group exhibitions, including numerous biennales worldwide: the Whitney Biennial, Lyon Biennale, Johannesburg Biennale, Sonsbeek, and Venice Biennale. Pondick has participated in group exhibitions at museums internationally including the Mori Art Museum, Tokyo; Peggy Guggenheim Foundation, Venice; Museo de Arte Contemporânea de Serralves, Porto, Portugal; Ca’Pesaro, Galleria Internazionale d’Arte Moderna, Venice; Centre Pompidou, Paris; Palais des Beaux-Arts de Lille, France; Pera Museum, Istanbul; Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan; Daimler Chrysler, Berlin; MIT List Visual Arts Center, Cambridge, Massachusetts; and the Philadelphia Museum of Art, among many others.
Her work is in the collections of many institutions worldwide including the Whitney Museum of American Art (New York); The Metropolitan Museum of Art (New York); The Morgan Library & Museum (New York, NY); Brooklyn Museum of Art, Philadelphia Museum of Art, Los Angeles County Museum of Art; Museum of Contemporary Art (Los Angeles); Nasher Sculpture Center (Dallas); San Francisco Museum of Art; New Orleans Museum of Art (Sculpture Garden); Toledo Museum of Art; The Nelson-Atkins Museum (Kansas City); Carnegie Museum of Art (Pittsburgh); Fondation pour l’art contemporain Claudine et Jean-Marc Salomon (Annecy, France); Ursula Blickle Stiftung (Kraichtal, Germany); Centre Pompidou (Paris); and The Israel Museum (Jerusalem). Pondick has received numerous awards and grants, including the American Academy of Arts and Letters Purchase Award, Anonymous Was A Woman, the Rockefeller Foundation Fellowship, Guggenheim Fellowship, Cultural Department of the City of Salzburg, Kunstlerhaus, Bogliasco Foundation Fellowship, Mid-Atlantic Arts Grant, and others.
Pondick has a long history of incorporating fragments of her own body in sculptures that appear to be in flux as if they are undergoing metamorphosis. In her most recent body of work, the artist makes a world of translucent and opaque color that is radiant and seductive. In these richly metaphorical sculptures, the heads and bodies look like they are floating, suggesting they are dreaming, embryonic, suffocating, drowning as if they are dying-pondering their fate- or giving birth to life.
Since 1984 she has had 52 solo exhibitions of her work in museums and galleries internationally, including Galleria d’Arte Moderna Bologna, Italy; Groninger Museum, Groningen, Netherlands; Rupertinum Museum für moderne und zeitgenössische Kunst, Salbzburg, Austria; Cincinnati Art Museum; Worcester Art Museum, Massachusetts; DeCordova Museum and Sculpture Park, Lincoln, Massachusetts; Cranbrook Art Museum, Bloomfield Hills, Michigan; and the Israel Museum, Jerusalem, among others. Her sculptures have been included in over 220 group exhibitions, including numerous biennales worldwide: the Whitney Biennial, Lyon Biennale, Johannesburg Biennale, Sonsbeek, and Venice Biennale. Pondick has participated in group exhibitions at museums internationally including the Mori Art Museum, Tokyo; Peggy Guggenheim Foundation, Venice; Museo de Arte Contemporânea de Serralves, Porto, Portugal; Ca’Pesaro, Galleria Internazionale d’Arte Moderna, Venice; Centre Pompidou, Paris; Palais des Beaux-Arts de Lille, France; Pera Museum, Istanbul; Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan; Daimler Chrysler, Berlin; MIT List Visual Arts Center, Cambridge, Massachusetts; and the Philadelphia Museum of Art, among many others.
Her work is in the collections of many institutions worldwide including the Whitney Museum of American Art (New York); The Metropolitan Museum of Art (New York); The Morgan Library & Museum (New York, NY); Brooklyn Museum of Art, Philadelphia Museum of Art, Los Angeles County Museum of Art; Museum of Contemporary Art (Los Angeles); Nasher Sculpture Center (Dallas); San Francisco Museum of Art; New Orleans Museum of Art (Sculpture Garden); Toledo Museum of Art; The Nelson-Atkins Museum (Kansas City); Carnegie Museum of Art (Pittsburgh); Fondation pour l’art contemporain Claudine et Jean-Marc Salomon (Annecy, France); Ursula Blickle Stiftung (Kraichtal, Germany); Centre Pompidou (Paris); and The Israel Museum (Jerusalem). Pondick has received numerous awards and grants, including the American Academy of Arts and Letters Purchase Award, Anonymous Was A Woman, the Rockefeller Foundation Fellowship, Guggenheim Fellowship, Cultural Department of the City of Salzburg, Kunstlerhaus, Bogliasco Foundation Fellowship, Mid-Atlantic Arts Grant, and others.
